sneakin' sally through the alley meaning

*from 'Sneakin' Sally through the Alley' (1974)* *CAPO 2nd FRET* (Original Key: B) Intro: B7, E7 D7 B7 (x2) Chorus 1: B7 E7 D7 B7 Sneaking s Sally through the alley, ooh, ooh, ooh. In my mind I can still see that badge in the middle of the vinyl LP. B7 E7 D7 B7 Sneaking s Sally through the alley, ooh, ooh, ooh. Every year people would spend the day getting wonderfully wasted, and every year a tiny minority would disappear into the woods abutting the field for “a brief nap,” only to wake up the next morning marooned, like Robert Crusoe with a killer hangover. Give contextual explanation and translation from your sites ! Genres: Funk Rock, Pop Rock. Then again, I’m the guy who predicted a long and fruitful career for Mouth and MacNeal. before him, Palmer made hay (and a gigantic payday) by embracing a parody of sexuality, and it’s possible that’s precisely what he was looking to achieve, although I doubt it. Before becoming a slick, sharp-dressed pop star in the 1980s, Robert Palmer was a soul singer deeply rooted in R&B and funk. ○   Wildcard, crossword Featured peformers: Robert Palmer (vocals), Steve Smith (producer), Phill Brown (engineer), Ken Laxton (engineer), Alan Varner (engineer), Rhett Davies (engineer). Type song title, artist or lyrics Palmer obviously had friends in high places, or made a pact with the Devil, because Sneakin’ Sally Through the Alley, his 1974 debut, is chock-a-block with big talents. And don’t even get me started on his stint with a few Duran Duraners in The Power Station. Sneakin' Sally Through the Alley This song is by Robert Palmer and appears… on the album Sneakin' Sally Through The Alley (1974) on the live album Maybe It's Live (1982) on the Compilation album Addictions, Vol. A windows (pop-into) of information (full-content of Sensagent) triggered by double-clicking any word on your webpage. See if you can get into the grid Hall of Fame ! As for Palmer’s “How Much Fun,” all I can say is lots, at least in this tune. Meanwhile the rest of The Meters funk things up, and George plays his guitar, although I don’t hear it. You’d think the guy would have learned his lesson sneaking Sally through the alley. And the song gets downright funky at around the six-minute mark, with somebody (not Palmer) letting out the occasional cry while the band knocks everything up a notch. “Addicted to Love” leaves me cold because it is cold—and deliberately so—as cold as the Arctic, or a corpse. He had impeccable taste in studio musicians, could write a good song, and most importantly, he knew a great cover when he heard one. Get XML access to fix the meaning of your metadata. The SensagentBox are offered by sensAgent. Plus 11,000 More Guitar Lessons. Palmer plays soul man on Toussaint’s “From a Whisper to a Scream,” a slow but building R&B number that opens with an echoing wah guitar by The Meters’ Nocentelli and slowly builds while Palmer sings until in comes what sounds like the organ playing of Steve Winwood. Me, I’d have preferred a couple of songs (too bad Palmer didn’t get around to recording “Man Smart, Woman Smarter” and Little Feat’s “Spanish Moon” until 1976’s Some People Can Do What They Like) in its place. But I am right about this; as Palmer’s career progressed, he slowly regressed, from being a great bona fide funk, soul, and R&B singer with a great voice to a pop star. A perky and upbeat song about drinking life to the dregs, it opens on a wacky note, then Art Neville plays a very funky piano riff that sounds like it came straight off a Little Feat record. Get XML access to reach the best products. closer “Through It All There’s You,” its opening is a bit too Disco Dead for my comfort, what with its organ, drums, bass, and very Jerry gee-tar riff conspiring to make this tune a song very much of its time, and its time, as anyone who was around then knows, sucked. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. This is really decent music, and NOT the "Addicted To Love" type material that Robert became famous for many years later. Sneakin' Sally Through the Alley, an Album by Robert Palmer. But what’s a guy to do? But the rhythm section does kick keister, while Lowell George’s guitar—it’s the “George Effect,” yet again—gives “Get Outside” that Little Feat flavor. But it is one of the funkier tunes you’ll ever hear, and moves at a tempo that lets you know that Palmer and his fugitive inamorata aren’t so much sneaking through that alley as a making a mad dash. Letters must be adjacent and longer words score better. Company Information The web service Alexandria is granted from Memodata for the Ebay search. Listen to the segue of Sailin' Shoes/ Hey Julia/ Sneakin' Sally through the Alley and if you are familiar with Little Feat at all, you will see just what I mean. I fell in love with it immediately, despite having a head that felt like one of those cartoon anarchist bombs that look like a bowling ball with a sizzling wick coming out of it. The album was released on compact disc in 1990. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … And it doesn’t get much smoother than on the Palmer/George tune “Blackmail,” a fast-paced number that opens with some funky horns (for that Stax feel, natch). I first heard Robert Palmer’s Sneakin’ Sally Through the Alley the morning after my beloved alma mater, Shippensburg University, held its annual “Spring Fling” in a field in the middle of nowhere. English Encyclopedia is licensed by Wikipedia (GNU). This is really decent music, and NOT the "Addicted To Love" type material that Robert became famous for many years later. Which is partly why songs like “Addicted to Love” annoy me so; they’re all surface and gloss, as if he’d turned in his musician’s union card in favor of imitating an oil slick. True, Palmer goes completely hoarse at the end, and (wonderfully) not a single soul in that studio insisted he re-record it “correctly.” And the song’s lyrics—which I suspect were written by George—are great, opening with the lines, “Well, you told me that you weren’t infectious/So I brought no precautions with me/And you said your old man was in Texas/And anyway he’d forgotten his key.”. Sneakin' Sally Through the Alley. Both his phrasing and timing are impeccable, and his delivery is wild, man. It made mine drop, anyway, but I suffer from a rare condition know as Shark Jaw, which basically means my jaw isn’t attached to my cranium. Sneakin" Sally Through The Alley is Robert Palmer's first album--at least his first album to be a commercial success. ○   Lettris Ro, Cookies help us deliver our services. Most English definitions are provided by WordNet . Nor is there any denying that Purdie’s drums are excellent, ditto Edwards’ bass and the horns. With a backing band including members of Little Feat and the Meters, the music has a laid-back groove whether Palmer's covering New Orleans legend Allen Toussaint (the title track) or singing originals ("Hey Julia," " … Jumps right into a jammed-out show-closing > Frankenstein. Needless to say, things go downhill from there, and what can I say? Which is not to deny that the tune’s propulsive groove will get you sooner or later, it having 12 minutes plus to do its dirty work. He groans, hisses, and digs down deep into his soul for that sound it’s impossible to emulate. Choose the design that fits your site.  | Last modifications, Copyright © 2012 sensagent Corporation: Online Encyclopedia, Thesaurus, Dictionary definitions and more. Recorded in New Orleans, New York, and Nassau, Sneakin’ Sally Through the Alley is a quintessentially American album, even though Palmer was a sharp-dressed Englishman. Those influences are on full display on his debut album Sneakin' Sally Through the Alley. He pays homage to Little Feat and Lowell George with this recording. Each square carries a letter. (sneaking sally through the alley, oo, oo, oo) Sneaking sally through the alley, Tryin' to keep her from sight. (See album cover.) 2. If so, he failed to account for the fact that by producing parodies, he became one himself. I pulled this stunt one year—and figured I’d spend the remainder of my life out there all by my lonesome, living on squirrel meat and wearing bark clothing—when lo and behold another guy staggered out of the woods. But then that Disco Dead refrain returns, to the accompaniment of Palmer’s muttering, and everything slowly begins to wind down before starting up again, the band and Palmer—who outdoes himself at moments here, growling and repeating himself and generally upping the funk—giving it one final great go. The English word games are: Scientists don’t know why, but xylophones are the hay fever of musical instruments. Boggle gives you 3 minutes to find as many words (3 letters or more) as you can in a grid of 16 letters. Editors’ Notes Robert Palmer’s first solo album marks the intersection of several extraordinary musical forces. Okay, so I exaggerate. And if that opening guitar riff has Lowell George—who wrote the song—written all over it, it’s because that is George. Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. Change the target language to find translations. Privacy policy Phish, "Sneakin' Sally Through The Alley" – 10/31/98, Las Vegas, NV “Sneakin’ Sally” was played frequently through the late 80s, then after 5/28/89 it was dropped for over a decade. There was a time back in the mid 80's that the radio was always playing the trilogy of the first three cuts. Meanwhile Palmer takes punches at himself for fucking up a relationship. 2:40 PREVIEW Let's Go Baby. Palmer’s solo career followed a stint with Vinegar Joe, the feckless English R&B band that released three forgettable (and I’m talking so forgettable I never even knew they existed) LPs for Island Records. It is my expert critic’s opinion that Sneakin’ Sally Through the Alley is the best of Palmer’s LPs, better even than its chief competitor, Some People Can Do What They Like. It was his first effort after three album releases co-fronting the band Vinegar Joe. I first heard Robert Palmer’s Sneakin’ Sally Through the Alley the morning after my beloved alma mater, Shippensburg University, held its annual “Spring Fling” in a field in the middle of nowhere. Little Feat’s Lowell George, Steve Winwood, and The Meters (Art Neville on keyboards, Leo Nocentelli on guitar, George Porter, Jr. on bass, and Joseph Modeliste on drums) all play on the LP, while the great Allen Toussaint contributes two excellent songs, one of them the magnificent title cut. It’s extremely rare, especially seeing as how I just made it up. As for Palmer, who gets a lot of help from his female back-up singers, sings, “You make me feel like I don’t need another/Come on baby let’s pull back the covers/And do our best to help one another/Find out how much fun we can get into life.” Sounds like a plan. Palmer is backed by The Meters and Lowell George of Little Feat. “Hey Julia” in turn segues straight into the Toussaint-penned title cut, which is without a doubt the greatest song ever written. 1974 Preview SONG TIME Barefootin' 1. Preview Add correction. The rhythm section is tighter than a Vulcan Death Grip, there are lots of cool female back-up singers, and Palmer doesn’t sound the least bit English, but more like he grew up next door to George, the two of them soaking up classic blues, funk, and R&B in George’s bedroom while his mom screamed up the stairs, “Turn that jukebox down!”, “Sailin’ Shoes” segues into the Palmer-penned “Hey Julia,” a syncopated and mid-tempo number that opens with a throbbing bass, handclaps, and some very cool percussion by Jody Linscott. English thesaurus is mainly derived from The Integral Dictionary (TID). But my favorite parts of the tune are Richard Tee’s piano and—you guessed it—Palmer’s vocals, which are gritty when called for, and this tune definitely calls for some true grit. [1][2]. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. I’m talking spitting image Traffic shit here people. Contact Us Users who reposted Robert Palmer - Sneakin' Sally Through The Alley (RocknRolla Soundsystem Edit) Playlists containing Robert Palmer - Sneakin' Sally Through The Alley (RocknRolla Soundsystem Edit) More tracks like Robert Palmer - Sneakin' Sally Through The Alley … Correction: Robert Palmer - Sneaking Sally Through The Alley (chords) Comment. The Vinyl District, your daily brick and mortar, indie record store fix. Tracks 4, 5, & 8 is the New York rhythm section, All translations of sneakin sally through the alley. Sneaking sally through the alley, My baby caught me last night. Lyrics for Sneakin' Sally Through The Alley by Robert Palmer. The album opens on a high note with Palmer’s excellent cover of Little Feat’s “Sailin’ Shoes.” At the risk of angering Little Feat’s gigantic on-line fan base, which tore me a new asshole the last time I dared write a review of a Little Feat LP, I actually prefer Palmer’s version to Little Feat’s, because while the latter is pure blues genius, Palmer and The Meters opt (big surprise) to funk the thing up, and quicken the tempo some while they’re at it. The Vinyl District – Black Friday Vinyl Sweepstakes Rules, The Vinyl District Record Store Locator App Privacy Policy, TVD Live: The Forecastle Festival, 7/18–7/20. I know, I wish I didn’t either!) neakin sally through the alley Sneakin sally through the alley Sneakin sally through the alley Trying to keep her out of sight Sneakin sally through the alley When up pops the wife I said, ah I cant find nothing wrong with being friends cos sometimes She lets me use the … The wordgames anagrams, crossword, Lettris and Boggle are provided by Memodata. In from BEK ->, the second "Sneakin' Sally" of this fan favorite show functions as a funky reprisal of the major bust-out that opened the evening's festivities. ○   Anagrams Which is why I intend to stick with the Palmer making his furtive way with Sally through the alley; he’s horny, afraid, and very, very much alive. 2 (1992) on the compilation Sounds of the Seventies: FM Rock, Vol. referencing Sneakin' Sally Through The Alley, LP, Album, Pin, ILPS 9294. Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley Oh, when up pops the queen. Palmer utilizes an entirely different band—the LP was recorded in three different locations, and Palmer chose to utilize the local talent in each case—on the slow and very funky “Get Outside.” The rhythm section of Gordon Edwards (bass) and Bernard Purdie (drums) will make your jaw drop. It was his first effort after three album releases co-fronting the band Vinegar Joe. Sneakin' sally through the alley Sneakin' sally through the alley Trying to get away clean Sneakin' sally through the alley When up pops the queen Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at … But the early Palmer, ah—that’s a different story. Nothing wrong with that—I fully intend to be a pop star myself one of these days—but his music slowly became every bit as cold, antiseptic, and robotic as the female clones or sexy cyborgs or whatever you choose to call those swaying and pouty “guitarists” who made the “Addicted to Love” and “Simply Irresistible” videos such big hits. Meanwhile The Meters—with Simon Phillips filling in for Modeliste on drums—establish a slinky yet powerful groove (Porter’s bass is particularly ear catching) over which Palmer delivers a bravura performance on vocals. ○   Boggle. The first three songs "Sailing shoes," "Hey Julia" and "Sneakin' Sally Through the Alley" (which are kind of all joined together) are worth the price alone. Multiple reviewers have commented that Robert sings confidently on this album despite being backed by more accomplished–at the time–musicians such as Lowell George, Art Neville and New Orleans singer-songwriter Allen Toussaint. But according to multiple sources the song’s keyboards are all played by Neville, while Winwood plays on the following track, “Through It All There’s You.” Anyway, no matter how you slice it, The Meters sets up one great atmospheric and snaky groove, with Nocentelli throwing great riffs your ears’ way while Porter works miracles on bass. Rated #511 in the best albums of 1974. Verse 1: B7 E7 D7 B7 Sneaking Sally through the alley, tryin' to keep her outta sight. With a SensagentBox, visitors to your site can access reliable information on over 5 million pages provided by Sensagent.com. Find out more, an offensive content(racist, pornographic, injurious, etc. For those of you who don’t know, there’s a million miles of difference between Palmer’s mid-1970s work and the swill—by which I mean the likes of “Addicted to Love,” “Simply Irresistible,” and “Can We Still Be Friends,” the Todd Rundgren tune that never fails to make me vomit from the ears—that constitutes his chief legacy to pop culture. All songs by Robert Palmer except where noted. About “Sneakin’ Sally Through The Alley” The title song from Robert Palmer’s debut album is a funky, bass-driven cover of an Allen Toussaint composition. ILPS 9294; Vinyl LP). To make squares disappear and save space for other squares you have to assemble English words (left, right, up, down) from the falling squares. Sneakin' Sally through the alley Trying to keep her out of sight Sneakin' Sally through the alley When up pops the wife I said, "I can't find nothing wrong with being friends 'Coz sometimes she lets me use the car" She said,"If you can't find nothing wrong with your mind … And while it’s perfectly possible to make a stinko LP even with such talent on hand, such was not the case with Sneakin’ Sally Through the Alley. Like “Sailin Shoes,” this one has more than a whiff of Little Feat to it, which is likely due to Lowell George’s slide guitar playing, as well as his general influence—let George get his foot in the door, and what you generally ended up with was a Lowell George song, whether he write it or not. Trying to double talk, get myself in trouble talk, catching myself in lies Catching myself in lies Mama just looked at me as if I was, ah, crazy And didn't even bat an eye Of course, the minute I say Palmer never plays it smooth on his early LPs what does he do? Like Rod Stewart (remember “Hot Legs”? Tips: browse the semantic fields (see From ideas to words) in two languages to learn more. All rights reserved. Get Full Access! It’s easy, affordable, and cost-effective to be seen at The Vinyl District. He occasionally spits his words out in a mad rush, and nails the hazards of surreptitious romance with the speed jive, “Trying to double talk/Get myself in trouble talk/Catching myself in lies.” And Steve York’s harmonica solo is nothing to sneeze at either, although nobody ever sneezes at harmonica solos, just xylophones solos. I said, "i can't find nothing wrong with being friends, 'Cause sometimes she lets me use her car."  |  Released in September 1974 on Island (catalog no. You can also try the grid of 16 letters. That’s right, he plays it smooth. As for the mammoth (12 and ½ minutes!) One of those great Island Record releases. I’d go back in time in that pod Gary Wright’s looking all blessed-out in on the cover of The Dream Weaver LP and do some song shuffling, but I know Gary and he likes lending out his astral time travel pod even less than he does his riding mower.  |  Lettris is a curious tetris-clone game where all the bricks have the same square shape but different content. And not only did he have a car, he had Sneakin’ Sally Through the Alley playing on 8-track. Add new content to your site from Sensagent by XML. Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. Now you never hear anything on the dial from this record.....also the last two tracks on this album which never got any airplay are great! ), Lowell George - guitar on 1, 3, 4, 6, & 7. Making its return on the biggest of stages, “Sneakin’ Sally” triumphantly opened the 12/30/97 gig at Madison Square Garden after a 921-show absence. The title song "Sneakin' Sally Through The Alley" is occasionally covered by the jam band Phish. 1998-04-02: Uniondale, NY: 12:39-> in from "Wolfman's Brother." Image:Robert Palmer Sneakin Sally.jpg is being used on this article. By using our services, you agree to our use of cookies. Palmer is backed by The Meters and Lowell George of Little Feat. But the song’s center is Palmer’s voice; it’s a revelation, the way he brings life to lyrics like “A horn section you resemble/And your figure makes me tremble/And I sure would like to handle what’s between your ears.”. “From a whisper in the wind,” he sings, “To a loud scream the message came/That I’d lost you to another man.” And later, he tosses off the great line, “I took kindness for granted/As if it came with the wallpaper.” That’s what’s called poetry, folks.

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